вЂLina From LimaвЂ™ Toronto Review
Source Toronto Global Film Festival
Dir. Maria Paz Gonzalez. Chile, Argentina, Peru. 2019. 83 mins
There isn’t any shortage of migrant tales which follow figures relocating in search of an improved life. Far less in which individuals really realize that better life. A 35-year-old domestic worker in Chile comes to terms with the rupture from her former existence and identity in Peru, and takes the opportunity to reinvent herself as a free woman in this airy first feature from Maria Paz Gonzalez. ItвЂ™s an engaging but story that is rather slight provided heft by way of a sensual central performance from Peruvian actress Magali Solier and sparkle by the fantasy musical sequences which are threaded in to the textile for the photo.
An engaging but instead small tale, offered heft by a sensual central performance from Peruvian actress Magali Solier
The juxtaposition of social realism and strikingly styled numbers that are musical be the element that will differentiate this image from other similarly themed material regarding the event circuit. Lina From Lima dips its toe in camp excess but pulls right back through the kitsch that is full of a film like Diamantino; as a result, it might probably lack the selling point that could persuade suppliers to take the plunge. The movie displays in TIFF Discovery having won two awards during the BACIFI Work with Progress competition in Buenos Aires, Argentina.
Lina (Solier) has, for the decade that is past worked as a maid for the affluent household in Chile. Every xmas, she travels back to spending some time with her son and extensive family in Peru. Her phone and also the windows made available from social media give her an ever present link with her home, nevertheless the undeniable fact that her son has obstructed her on Faceb k suggests that she has a tendency to micromanage, even from the distance. But during the run up to this yearвЂ™s holiday, as she scurries around trying to fulfil her teenagerвЂ™s extravagant Christmas wish list, she learns that life in Peru has moved on without her. Her ex-husband, the father of her son, has just had another son or daughter by having a partner that is new. Meanwhile her son includes a girlfriend, undeniable fact that everybody generally seems to understand except Lina.
Gonzalez draws parallels between LinaвЂ™s enforced lack from her family members and compared to her employers. Parents the global world over assuage their guilt by spending. She’s a playful, conspiratorial relationship using the neglected daughter of her employer. He could be creating a new house complete with a p l to please the little one he barely sees. With her, he would know that she is not quite the enthusiastic water baby he believes her to be if he did spend time. The empty household, therefore the up to now unfilled p l, turns into a blank canvas onto which Lina projects her own dreams вЂ“ increasingly elaborate one evening h k ups with the males she meets by way of a engineer chat dating app.
Nonetheless itвЂ™s through the interludes that are musical which tend towards sparkly sacrilege, playing fast and l se with Catholic iconography, that Lina really cuts l se from the constraints of house. Far from Peru, this woman is alone. But she actually is also, she realises, liberated in method that she’s got never ever been prior to. Liberated to be considered a performing synchronised swimmer or A goddess that is andean attended four muscle tissue bound, semi nude men, should the whim simply take her.
Manufacturing company Carapulkra Films, Gema Movies, Quijote Films
Producers Maite Alberdi, Giancarlo Nasi
Screenplay Maria Paz Gonzalez
Cinematography BenjamГn Echazarreta